ALICE IN CHAINS release new album RAINIER FOG today!

RAINIER FOG marks a few firsts for the band: in addition to being their first album in five years, it’s their first album for BMG and their first time recording in their hometown of Seattle in more than 20 years (worth noting that the album title is a tribute to Seattle). They recorded at Studio X, the same facility where they tracked 1995’s self-titled Alice In Chains album (back when the studio was known as Bad Animals). The RAINIER FOG recording process also saw the band spend time at Henson Recording Studios in Los Angeles and at the Nashville studio of producer Nick Raskulinecz. RAINIER FOG is the third straight Alice In Chains album recorded with producer Nick Raskulinecz and engineer Paul Figueroa. The album was mixed by Joe Barresi (Queens of the Stone Age, Tool).
 
RAINIER FOG follows 2013’s Grammy nominated The Devil Put Dinosaurs Here, which entered Billboard’s Top 200 chart at No. 2 and debuted at No. 1 on Billboard’s Alternative Albums, Top Rock Albums, Hard Rock Albums charts and the iTunes Rock Album Chart. Its first two singles, “Stone” and “Hollow,” both shot to No. 1 on Billboard’s Mainstream Rock Tracks chart and “Voices” hit No. 3. All three tracks stayed on the chart for over 20 weeks.
 
Over the course of their remarkable career, ALICE IN CHAINS have garnered multiple Grammy nominations, sold more than 30 million albums worldwide and amassed a diehard international fanbase whose members number in the millions. They remain one of the most successful and influential American rock bands of all time. 
  
Guns N’ Roses bassist and New York Times Best-Selling Author Duff McKagan recently wrote an Alice In Chains bio to accompany the album release. “Rainier Fog is another step further into the brilliance and musicality of what we have now come to expect from AIC,” wrote McKagan. “Sean Kinney’s super-unique drum style tells one epic story, Inez’s brooding bass lines tell yet another, Duvall’s guitar prowess and lead vocals guide and narrate and nurture the triumph and torture of the subject matter, and Cantrell’s jaw-dropping songwriting, vocals, and now-legendary riff-master approach all combine for another simply brilliant effort.”
 
“This is a band to cherish and be thankful to have as our own,” says McKagan. “Our living and breathing gauge of what is right with rock and fucking roll.”

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